Stephen King calls it "a movie so dark," and after two years, it's streaming.

Despite being turned down at festivals such as Sitges, this gruesome and terrifying movie has managed to find its way to theaters.

Filmin, a Spanish platform dedicated to author and cult cinema, had planned to release “The Dining Table” on June 16, but what Stephen King did was advance the premiere as a result of Filmin’s fear that pirated copies would begin to multiply. Although the media is saying that “The Dining Table” has been “saved” by Stephen King, this is not entirely accurate. Filmin feared that pirated copies would begin to multiply. The author has a very lengthy history as a prescriber of horror icons, beginning with his iconic and widely recognized prescriptions for ‘Evil Dead’ and Clive Barker. In this particular instance, he has provided the film with a new impetus, and he had a significant role in its development.

“The Dining Table” finally makes its way to Filmin after spending two years in limbo regarding its distribution, during which time it was denied in Sitges. It should come as no surprise that the statement that the movie has not been screened anywhere was likewise untrue. In addition to making its way through the cult film circuit on occasion over the past few months, it has been seen in fifteen different countries and has been awarded thirty prizes at various film festivals, including the Brussels International Film Festival (BIFFF), the San Sebastián Fantasy and Horror Film Week, and Terror Molins.

What is the story behind ‘The Dining Table’? However, the bloody tragedy is unleashed in the very first bars of the film: a capricious decision by the protagonist, to buy an abject little table for the dining room that he has just opened with his wife, will be the axis of events that will twist his conscience and his sanity to the limit. The less you know at the beginning of the film, the better. In a novel that is both claustrophobic and intense, the author draws inspiration from unquestionable classics of paranoid and hypersensory horror, such as Edgar Allan Poe.

David Pareja and Estefanía de los Santos, who portray the couple who are facing each other over the small table, deliver outstanding performances. Although Caye Casas, the director and co-writer, will be responsible for delving deeper into the subject matter, the film manages to squeeze the space to its fullest extent, as was already the case in the magnificent debut of the director, ‘Killing God’. When the coincidences of the talks mount up to punish the protagonist, the result is a tale that is both immensely cruel and bizarre. A cyclone of perversity that does not contain any graphic gore, but is extremely dark and depressing.

Despite the fact that the media is reporting that “The Dining Room Table,” which can be viewed on Filmin, has been “saved” by Stephen King, this is not entirely accurate. Filmin, a Spanish platform that focuses on author and cult cinema, had intended to release it on June 16th, but King was able to push back the premiere date because Filmin was concerned that pirated copies would start to become more widespread. The writer has a very lengthy history as a prescriber of horror icons, beginning with his iconic and widely known prescriptions for ‘Evil Dead’ and Clive Barker. In this particular instance, he has provided the film with a new impetus, and he had a significant role in its development.

“The Dining Table” finally makes its way to Filmin after spending two years in limbo regarding its distribution, during which time it was denied in Sitges. In point of fact, the claim that the movie has not been seen anyplace throughout the world was likewise untrue. In addition to making its way through the cult film circuit on occasion over the past few months, it has been seen in fifteen different countries and has been awarded thirty prizes at various film festivals, including the Brussels International Film Festival (BIFFF), the San Sebastián Fantasy and Horror Film Week, and Terror Molins.

What exactly is the plot of “The Dining Table”? A capricious decision made by the protagonist, to purchase an abject little table for the dining room that he has just opened with his wife, will be the axis of events that will twist his conscience and his sanity to the limit. However, the bloody tragedy is unleashed in the first bars of the film. The good news is that the less you know, the better. In a novel that is both claustrophobic and intense, the author draws inspiration from unquestionable classics of paranoid and hypersensory horror, such as Edgar Allan Poe.

David Pareja and Estefanía de los Santos, who portray the couple who are facing each other over the small table, deliver outstanding performances. Although Caye Casas, the director and co-writer, will be responsible for delving deeper into the subject matter, the film manages to squeeze the space to its fullest extent, as was already the case in the magnificent debut of the director, ‘Killing God’. The outcome is a fable that is both exceedingly brutal and rather perverse. when the protagonist is subjected to a series of coincidental dialogues that are designed to torment him. A cyclone of perversity that does not contain any graphic gore, but is extremely dark and depressing.

“This is the darkest movie you’ve ever seen,” the director said. Horrible and hilarious to the extreme” “La Mesita del Comedor” is widely considered to be the most unexpected Spanish film of the year, and Stephen King, a master of horror, has been one of the many voices who have joined in applauding the picture.

Despite the fact that María and Jesús have recently become parents, their relationship is not now experiencing the most favorable period. They are in a precarious situation and having a number of issues; but, what they will not even be able to fathom, even in their worst nightmares, is that purchasing a dining room table will turn out to be the worst choice they have ever made in their whole lives.

A gloomy, oppressive, and vile atmosphere, mixed with a very straightforward and easily recognizable beginning point, and a narrative structure that, like a blow from an ax, divides the story in two. A couple of years ago, this film, which was produced by 20th Century Studios, which was formerly Fox and is now owned by Disney, arrived in this country exclusively and directly on its platform. Despite the fact that it had an excellent performance in theaters in the United States, it did not go through theaters. These are some of the characteristics of this film. As of right now, we can watch “Barbarians” on Netflix.

A young woman who is going to Detroit for a job interview leases a house to spend the night in. This is the beginning of the story, which begins with a situation that is virtually always encountered. On the other hand, when she comes, it is late at night, and it turns out that the house is located in an area that is almost completely deserted, and it is double booked since a strange man is living there. It appears that both of them are correct and have the legal right to stay in the house; hence, she makes the decision to spend the night there rather than going to a hotel, despite the fact that they are total strangers. At this moment, it is merely the beginning of a nightmare that will not proceed in the manner that was anticipated.

Particularly considering that the narrative is about to undergo a change in which we will be introduced to a new individual who has a story that is also connected to the house. The end result is not quite a tale of haunted locations, nor is it really a tale of urban horrors, but it does have elements of all of those things on occasion. Zach Gregger, who is both the director and screenwriter of the film, is the individual who is responsible for this macedon of styles. Although he began his professional career in the field of comedy, he made his debut as a filmmaker with the film “Barbarian,” and as a result of its success, he will continue to lead his steps through the genre.

Stephen King calls it “a movie so dark,” and after two years, it’s streaming.

By b0oua

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